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    Bring back the 90s!

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1.
I know where you can go on a Sunday night If you’ve been looking for a place you can hide There’s a bar round the corner Not sure what it’s for, but There’s a question mark up over the door Yeah, the man at the bar ain’t too nice He’s been working there for a couple of years. Once or twice Someone told him how they felt about that joint He didn’t take it so well No, he didn’t take it so well Everyone here’s been The same since 1992 Pictures on the walls to prove They won’t let go of what they’re holding on to Went here years ago and sat in the back booth These days I pretend I’m not mad at you We had some laughs, whiskey too It’s been a minute since I’ve seen you The old man in band, he’s like 86 And he’s played with everyone behind that kit Twice a week, man he won’t quit I wanna be like him, before he got sick Be like him before he got sick Everyone here’s been The same since 1992 We got pictures on the walls to prove We won’t let go of what we’re holding on to Everyone here’s been The same since 1992 With pictures on our wall to prove They won’t let go of what they’re holding on to I won’t let go of what I’m holding on to Don’t let go of what you’re holding on to
2.
Take a ticket for All those boys you don’t know You don’t know You don’t know him anymore If he wanted to All that time he threw out Might come back Might come back to you now She said, “My back is tired The fire’s dead But I know he’ll make time.” She just keeps asking for more Come and spend your time This empty bar it won’t mind Broke my back Just to get you here tonight So put a record on It’s falling off and back on Twist the arm It finds its groove back to the core He said, “My back is tired The fire’s dead, But I know we’ll make time.” He just keeps asking for more. Doo doo doo doo doo Doo doo doo doo doo doo Doo doo doo doo doo Doo doo doo doo doo doo
3.
Croquis 02:19
If all the reasons that she was broken Were just as simple as that She carried with her words unspoken And all the hope that she had Fast cars and roads steer her places she’s never been But she won’t forget you Boards a platform, downtown train, Heads to Bleeker and 6th Working nights, against the grain, He feels his weight start to shift All the money in the world won’t keep him in remission And all he wanted was you Croquis and toil take me places I’ve never been But all I want now is you
4.
We tore to the Cincinnati skyline, But didn’t know by then And I swore that you walked across the ceiling And didn’t know our eyes met Don’t have to find a single word to hang your hat on I’m still up on your shoulders You don’t have to tell me all the things you want, Because I will want them too Talk soft, and just until your eyes close shut Dream of summer days Those wooden planks we rolled across and held our heads up Are gone and still a memory Don’t have to ride all the way across the state line Just to tell me that you care You don’t have to tell me all the things you want, Because I will want them too That old man passed on what might be his hour Dreams of younger days Send more of what you have to offer And keep me younger still
5.
The door’s always open Not a trinket’s been stolen So I snuck in and tucked myself in tight Had one too many drinks tonight This room ain’t how I left it I don’t like what you’ve painted I woke warm and the sun shone in Can’t tell, what my age again? Well, the same place Shows my changed pace Like a satellite On a dark night Rusted beams in the ceiling Should be gone but they’re peeling Off, yeah, and it’s aging true Hold your breath that it don’t fall through That time in the den I can feel it happening again Hold up, don’t let the TV fall Broke my arm, got a cast and all Well the same place Shows my aged face Like a faded scar, Not gone, but twice as far Well, the same place Shows my changed state Like a diver let On a shipwreck
6.
On & On 05:43
What about the time that we had Just sitting on your back porch and drinking with your dad? We went on and on On and on Do you know where we stand? Underneath casino lights, just singing with no plan It was winter cold We couldn’t feel our hands right We didn’t have a single reason to stay No idea what to play So we hopped into the back of a van You said you don’t know what you want That’s OK, ‘cause neither do I Sorry we had to write that song The one that pinned you down and said you were wrong. It’s gone Even though we felt the time it was right We didn’t have a single reason to stay But we knew just what we would play So we hopped into the back of a van You said you don’t know what you want That’s OK, cause neither do I We didn’t have a single reason to stay But we knew just what we could play So we hopped into the back of a van You said we might have what we want But what if neither is right? We went on and on On and on We went on and on On and on
7.
He was born with a fire inside that never ceased to burn His other way would hold the hand of his mother as she prayed As she prayed And as her only son, he set to win a fight that never had begun And so began the plan that left him stranded And reaching for her hand The two inside will get you high and swing you low Just goes to show that all around us will one day Turn to gold Turns to gold The morning light and his reflection in the big Montana sky All alone, and the winter chill has turned his feet to stone The fire burning out, he rubs his hands His heads ward off the doubt And so became the man that saw his lonely trail glisten into sand The two inside will get you high and swing you low Just goes to show that all around us will one day Turn to gold The two inside will get you high and swing you low Just goes to show that all around us will one day Turn to gold Turns to gold Turns to gold
8.
The spotlight ain’t nothing that I am afraid of My whiskey glass won’t go dry Last night I told a man And used some words that I had never planned It went somewhere I thought it would never go Messages on my machine Are outdated and never seen Annie called, I hope she’s alright I’ve never been the kind of man Who takes a stance or takes a stand I can be everything to everyone And the headlines read darker than I can remember It hurts my head just to ask myself why If you know, why don’t you speak? If you go, could you take me please? I want to be somewhere I thought I would never go I’ve always been the kind of man To stop and talk and shake a hand I can be everything to everyone Everything to everyone The morning light is something I am afraid of The dew on the grass won’t keep my feet dry I want to be someone that I’ve never been I want to do some things that I have only dreamt And take this somewhere I thought I’d never go I’ve got to be the kind of man Who’s says his words without a plan, or I won’t be I’ve never been that sort of man Who puts his heart inside his hands Well, I won’t be anything to anyone Anything to anyone
9.
I almost forgot about the day I dragged you home and saw the look on your father’s face He said, “Tell me about about my son and his name, And what he’s doin’ to cause his mother and I so much pain.” The run amuck and the go around His waist, it gets tighter by the minute And as he drifts into the darkness on the edge of town He’s withering away, bit by bit Francis, where’ve you gone? Why you feel this way? If he keeps it up, we will never be the same I’ll never forget the sound of the taxi door Down my driveway I heard you stumble Then you laid down across my dirty floor There’s my friend, reduced to just a mumble Francis, where’d you go? Did you clear your name? If he keeps it up, I will never be the same Is it cry for help? Or a walk of shame? But if he keeps it up, we will never be the same Francis, where’d you go? Where’d you go? I think of you now when I’m on the road If they heard your voice, they’d feel you rumble You’re at home and healthy on your own My friend won’t be reduced to just a mumble
10.
Practical 04:20
4 doors and 2-wheel drive Collared shirt, tucked inside Tempurpedic mail-order bed Your words inside my head I always try and do what’s right Stay safe, keep inside You ever want to settle down A few kids and a wedding gown? But you don’t have to be practical You’re never gonna get it right There’s no use in dying to try Hit the light and in bed by 2 I never want to stray from you The way, light, it hits your hair You turned warm the colder air I heard you on the telephone You stayed late and acted so But every word you said was true Even ones you want me to But you don’t have to be practical You’re never gonna stay the same Even when it hurts your name But you won’t settle down And I want you stick around You don’t have to be practical You’re never gonna get it right There’s no use in dying to try You don’t have to be so practical You’re never gonna stay the same Even when it hurts your name

about

I was about 8 years old when I first sat cross-legged in front of my Sony CD boombox, pressed PLAY, and flipped through the booklets of my father’s 60s folk records. As I listened, their words told me stories, took me places, introduced me to people, and taught me new lessons. I saw something like myself in their images.

When I wrote Practical, I sang to that same kid in front of his record player. I wanted to create a world for listeners that was new and complex. The best way to do that, I figured, was to simply look at the world around me and describe its characters, stories, places, and ideas.

When I picked my head up, I found a lively collection of strange yet identifiable characters, joy and pain, confusion and certainty, wrapped in one. And, almost as if by subtraction, in the midst the chaos and order, I- now the author and not the listener- could see that same boy, cross-legged on the floor, flipping through records, searching for a familiar voice.

Enjoy,

SM

credits

released April 12, 2019

All songs written by Sean Marshall 2018 (BMI).

Musicians
Nathan Columbo: Pedal Steel Guitar and Dobro
Sean Marshall: Vocals, Guitars, and Piano
Dakota McElley: Bass Guitar
Brady Oxender: Drums and Percussion

Also featuring:
Greg Grimes: Vocals, Tracks 6 & 7
Emily Schrock: Vocals, Tracks 3 & 7
Pete Ricca, Composition for Lead Guitar, Track 2

Credits
All songs written by Sean Marshall 2018 (BMI
Album Art and Direction by Sean Marshall

Produced by Sean Marshall
Recorded, Engineered, and Mixed by Brandon Maclean
Mastered by Chris Keffer for Magnetic North Mastering

Recorded at Oranjudio Studios, Columbus OH
Vinyl Lacquers by Gotta Groove Records, Cleveland OH
Management: Dakota McElley


Thank You to my wife Lyndsey Vader, my friend and manager Dakota McElley, The Near Miss, Pete Ricca for that lead riff on Track 2, friends, family, and the GREATER COLUMBUS ARTS COUNCIL for your continued support.

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Sean Marshall Columbus, Ohio

Born and raised outside New York City, Sean Marshall has since resided at the Jersey Shore, the Midwest, and now the Pacific West. His experience across diverse landscapes and audiences has only enriched his eclectic vision of America and its people, demonstrated by songs rooted in classic folk structures, colored by indie rock textures, and laced with country ambience. ... more

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